1,054 Royalty-Free Audio Tracks for "Augmented Seventh Chords"

Parrallelism in music (example).

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Eight bar blues progression boogie woogie bassline on middle C.

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.

Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.

Tritone substitution (for V), without (with V). Created by Hyacinth (talk) 04:48, 10 May 2010 using Sibelius 5.

After You've Gone by Creamer and Layton (1918) chorus, mm.24-43. Nashville number system realization on guitar.

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.

Prometheus scale on C.

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

Maple Leaf Rag seventh chord resolution. Created by Hyacinth (talk) using Sibelius 5.

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

Chromatic mediant from Tchaikovsky's (1840–1893) Chant sans paroles.

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

V65 of V in C, four-part harmony. Reduced from Chopin.

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

V of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. From Bach.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

V/V-V-I in C, in four-part harmony.

Chopin's Prelude in C minor modulates within the first three measures.

Water glasses tuned to complete the chord structure of i v7 i in c major.

A sine chord that sounds like a organ.

A simple chord for menu sounds.

Sound for techno and minimal tracks.

Interesting sample made with granular synthesis.

A "d" power chord chopped up and processed logic.

Free use.

Bpm: 132. Key: f.

Standard open a major bar chord (e major formation). Down strum. If any of these samples have any errors or faults, please tell me.

Common-chord modulation in Tchaikovsky, Mazurka Op. 39, No. 10.

Standard open a major 7th chord. The same as a major except the g (3rd) string which has the 1st fret held. Down strum. If any of these samples have any errors or faults, please tell me.

Open a (5th) and d (4th) strings in a chord. Sounds like a d 5th chord when used with e 5th.

Two octaves of guitar power chords from an orange microcrush miniature guitar amp. Recorded 24-bit with a condenser and ribbon microphone, mixing between the two, slightly panned. There are two takes for each octave's chord.

Electric guitar being routed from the output of a bass amp into a danelectro "honeytone" miniamp with maximum volume and distortion on both. Full sustain, miked 24bit wide-stereo.

Assorted chord oneshots played on a piano that i found at the university of sydney back in 2014. Recorded in 96 khz for the heck of it, using a rode nt6 condenser microphone and a zoom h4n recorder. Sorry but i do not remember the chords and i am not musical enough to figure them out for the file names, but they are most likely all played on the white keys.

Description: with lightful synths make the music bright and angle. Use this free sound to make your songs also lightful. I know you're delighted about this. Genres - synth-pop (most relatable), boogie, dancehall / bashment, disco, euro, hard trance, nu wave, synth wave. Instrument types: synths - synth. Created using:soundtrap. Tempo - 115.

Sample used for this tune : https://soundcloud. Com/omegagroove/falling-up-10?in=omegagroove/sets/omega-groove.

Sample used for this tune : https://soundcloud. Com/omegagroove/falling-up-10?in=omegagroove/sets/omega-groove.

Bytebeat chord tone.

I am very proud of this one. Chords:. Cm9f9g#6b5gaug7, gdom7.

Some piano recordings with door noises in the background. First chord is an f major 7th and then it goes down to a d minor seventh or something. Not sure.

Chord synth sound created on the voltage modular plug-in.

Short sample of a chord from a software synthesizer, distorted.

Recorded this with my epiphone sg through the focusrite interface into reaper. I changed the octave which gave it an 'organy' sound. I think bach would have had fun with something like this. :-) comments welcome.